This book is about the power of photography and the network it formed in everyday life and art of Lithuania in 1969–1989.
This book illustrates the oeuvre of the unique artist Gintautas Gavenavičius (1960–2004), who was until his untimely death, according to Valentinas Antanavičius, probably the only artist in the world to have created original sculptures from unbroken flax for two decades.
This book discusses boredom as an aesthetic category that helps to explain a tendency in late 20th c. art to focus on everyday things, avoid definite meaning or create ‘nothing’.